Quick Overview:

Eulipion Outpost focuses on creative life and culture from the perspective of a 70+ year old Filipinx American artist/writer with a documentarian urge.

Brief Background

I began blogging around 2000, writing in html for my blog on Geocities. I have an art/writing website, jeanvengua.com, and just for the fun of it, I’m building a website from (almost) scratch on Neocities. I have lived in Monterey, on the central coast of California, for my entire life.

Last name pronounced: Ven-gwah, i.e., ven as in “venom,“ “gwah“ as in “guava.” So if you’re hesitant about the pronunciation, just think: venom guava.

Why “Eulipion Outpost“?

Limitations sometimes provide unexpected opportunities. I often use Oulipo* processes (game-like rules/rituals) as a way to bypass creativity blocks. But Eulipo comes from Rahsaan Roland Kirk’s jazz piece, “Theme for the Eulipions.” Experimental poet Harryette Mullen writes about “Oulipo/Oulipeans” and its Eulipean manifestation:

“when I first heard of Oulipo and Oulipeans I thought of them in relation to the Eulipeans in Rahsaan Roland Kirk’s jazz classic, ‘Theme for the Eulipeans,’ the ones he calls ‘the artists, the actors, the journeymen’ who come from a planet in another galaxy, Eulipea. I’m not an Oulipean but I can call myself an Eulipean . . .

The most liberating aspect of Oulipo for me was their demystification of ‘inspiration’ in favor of ‘potential literature.’ This puts less stress on writing as a product and more emphasis on writing as a process that might result in a work of literature.”

Regarding “product” and “process”: As an artist, I’m often urged to be productive—not for myself—but to keep in motion extractive social media platforms whose benefits are not really meant for me. I don’t have a problem with “productivity” in itself, but rather with mystification and exploitation. I think there must be another, better way—or maybe multiple ways. I’m making art and writing my way towards that.

Three Questions

Finally, this newsletter tends to revolve around several questions: How do you survive and thrive as an artist (in any of the arts) during an era of great, exponential change and instability? How does color, culture, gender, [dis]ability, and age factor in? What art is addressing these changes and issues, and what ideas, processes, and tools help us to stay creative, playful, and hopeful?

* The visual art versions of Oulipo are Oupeinpo (painting/drawing) and Oubapo (comic book art). Here’s a video intro to Oulipo, by Subtle Channels. For me, Oulipoand Oupeinpo are a form of creative play that can stimulate fun and surprising results.

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To find out more about the company that provides the tech for this newsletter, visit Substack.com.

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I'm a Filipinx-American artist and writer. I write and curate posts about artists (of all kinds) making art, as well as processes and tools and ideas that help us stay creative, playful, and hopeful during an era of exponential change and instability.


Jean Vengua

I'm a Filipinx American artist and writer. From my "outpost" on the California coast, I focus on hand-made art processes, the cultural contexts of art-making, and being an older, self-taught artist during uncertain times.